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Domenico Fetti
Ecce Homo
mk65
Oil on canves
53 9/16x44 1/16in
Uffizi
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Domenico Fetti
Melancholy
mk86
c.1620
Oil on canvas
168x128cm
Paris,Musee National du Louvre
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Domenico Fetti
Facob-s dream
mk150
c.1619
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Domenico Fetti
Perseus freeing Andromeda
mk150
c.1622
Poplar
40.5x72.5cm
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Domenico Fetti
Melancholy
mk156
c.1620
Oil on canvas
171x128cm
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Domenico Fetti
Girl Reading
mk164
c.1620
Gallerie dell-Accademia
Venice
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Domenico Fetti
hero och leander
cirka 1622-23
pa poppeltra 96x42cm
se
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Domenico Fetti
Archimedes Thoughtful
1620
Oil on canvas
98 x 73,5 cm
cjr
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Domenico Fetti
Saint Mary Magdalene Penitent
1615
Oil on canvas
99 x 77 cm
cjr
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Domenico Fetti
Saint Mary Magdalene Penitent
Date 1615
Medium Oil on canvas
Dimensions 99 x 77 cm
cyf
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Domenico Fetti
Melancholy
Date ca. 1622(1622)
Medium Oil on canvas
Dimensions 179 x 140 cm (70.5 x 55.1 in)
cjr
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Domenico Fetti
Parable of the Lost Drachma
Date ca. 1618(1618)
Medium Oil on wood
Dimensions Height: 75 cm (29.5 in). Width: 44 cm (17.3 in).
cjr
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Domenico Fetti
Parable of the Lost Drachma
Date between 1618(1618) and 1622(1622)
Medium Oil on wood
Dimensions Height: 55 cm (21.7 in). Width: 44 cm (17.3 in).
cjr
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Domenico Fetti
The Parable of the Mote and the Beam
c. 1619
Medium English: Oil on wood
Dimensions English: 24 1/8 x 17 3/8 in. (61.3 x 44.1 cm)
cjr
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Domenico Fetti
Melancholy
1622(1622)
Medium Oil on canvas
Dimensions 179 x 140 cm (70.5 x 55.1 in)
cyf
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Domenico Fetti
Parable of the Lost Drachma
1618(1618)
Medium Oil on wood
cyf
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Domenico Fetti
Parable of the Wicked Servant
c. 1620(1620)
Medium Oil on canvas
Dimensions 61 x 44,5 cm
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Domenico Fetti
Hero and Leander
between 1622(1622) and 1623(1623)
Medium oil on panel
cyf
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Domenico Fetti
The Parable of the Vineyard
1618(1618)
Medium oil on panel
Dimensions Height: 76 cm (29.9 in). Width: 45 cm (17.7 in).
cyf
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Domenico Fetti
Idealbildnis eines Gonzaga
um 1620
Medium oil on canvas
Dimensions Deutsch: 101 x 88
cjr
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| Domenico Fetti
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Italian painter ,
Rome 1589 - Venice 1623
was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.
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